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You've selected:
Wait Upon Me
Sheetmusic to print
19 sheet music found
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1
Wait Upon Me
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841933 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841933 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3479595. Published by Andrew Mc Donald (Macka Records) (A0.841933). Wait Upon Me is a song about asking the Holy Spirit to wait upon us. When we are thirsty and dry and when we need a boost ask the Holy Spirit to minister to us and He will fill us to overflowing.
$4.99
4.66 €
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Piano, Voice
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Andrew Mc Donald
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Wait Upon Me
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Andrew Mc Donald
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SheetMusicPlus
Wait For Me
Clarinet
Clarinet Solo - Level 4 - Digital Download SKU: A0.1013162 Composed by Frederic Gle…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.1013162 Composed by Frederic Glesser. Contemporary. Individual part. 5 pages. Frederic Glesser #6058729. Published by Frederic Glesser (A0.1013162). Wait For Me was composed for Italian clarinetist Arianna Tieghi (Rovigo, Italy) upon her request for a short composition by an American composer from each of the fifty U.S. states.
$3.00
2.8 €
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Clarinet
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Frederic Glesser
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Wait For Me
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Frederic Glesser
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SheetMusicPlus
Father, we would plead. A new tune to a wonderful Frances Ridley Havergal hymn.
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994006 Composed by Harry…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994006 Composed by Harry Hicks. Christian,Sacred. Octavo. 1 pages. Harry Hicks #4338673. Published by Harry Hicks (A0.994006). New music - by Harry Hicks, (taken from his forthcoming second book of over 400 hymns entitled Praise! 2) to an old hymn that deserves to be better known.This is subtitled 'Hymn for Ireland,' together with a verse from Isaiah 51:5 - 'The isles shall wait upon me, and on Mine arm shall they trust.'The first book - and other compositions - are also available.
$1.99
1.86 €
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Choral Unison
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Harry Hicks
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Father, we would plead. A new tune to a wonderful Frances Ridley Havergal hymn.
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Harry Hicks
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SheetMusicPlus
Five Lyrics of Robert Herrick - Roger Quilter
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.
$9.99
9.32 €
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Choral SATB
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and by
Ye do lie,
Poor girls, neglected
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Roger Quilter
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Five Lyrics of Robert Herrick - Roger Quilter
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Forsyth Brothers Ltd
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SheetMusicPlus
Take My Yoke Upon You, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #757743. Published by Kevin G. Pace (A0.1157412). A delightful sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: My God, my very God, where is thy face today? All I see are clouds through rain; I cannot find my way. My vision is obscured, but my will I give to Thee. Now I sense thy sacred song lending sight to me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy tender voice? Thou has promised answering; help me to make each choice. I feel I’ve waited long, but my will I give to Thee. Now I hear thy sacred strains serenading me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy whisp’ring aid? Doubting faith and unbelief cause me to feel afraid. I cannot sense thy thoughts, but my will I give to Thee. Now I feel thy chords of trust reassuring me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole.
$1.99
1.86 €
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Choral SATB
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Kevin G
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I cannot find my way
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Take My Yoke Upon You, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Lift Me Up
Bass Voice,Guitar,Piano - Level 1 - Digital Download SKU: A0.1313808 By Rihanna. By…
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Bass Voice,Guitar,Piano - Level 1 - Digital Download SKU: A0.1313808 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Arranged by Hollywood Charts. Film/TV,Pop,R & B. 3 pages. Hollywood Charts #902526. Published by Hollywood Charts (A0.1313808). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for piano, guitar, and bass. This ensures your entire band will be on the same page, literally!Experience the captivating essence of Rihanna's Lift Me Up from the blockbuster Marvel movie, Black Panther: Wakanda Forever, through this rhythm section sheet music transcription. As the lead single from the film's soundtrack album, Lift Me Up marks Rihanna's triumphant return to the music scene, offering an stripped down ballad that resonates with a heartfelt message.This rhythm section sheet music invites you to delve into the poignant narrative encapsulated within the song's melody and lyrics. The song, co-written by a stellar team including Rihanna, Tems, Ludwig Göransson, and the film's director Ryan Coogler, stands as a beautiful tribute to the late Chadwick Boseman, echoing the enduring legacy and indomitable spirit of the beloved actor.Not only is this song an integral part of the Black Panther: Wakanda Forever narrative, but it also shone brightly on the grand stage of the 2023 Oscars, earning Rihanna her first Oscar nomination. This rhythm section arrangement will enable you to recreate the soft glory and lustrous performance that left the audience in awe on that memorable night.With this rhythm section sheet music transcription of Lift Me Up, you're not just playing a song; you're partaking in a narrative of hope, resilience, and tribute that transcends the cinematic realm to touch real emotions and honor a real hero. This music piece is not just a collection of notes, but a story waiting to be told, a legacy waiting to be celebrated, and a melodic journey waiting to be embarked upon.
$12.99
12.12 €
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Rihanna
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Lift Me Up
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Hollywood Charts
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SheetMusicPlus
Op. 41, No. 6: Amour me tue from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-12E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.8 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 41, No. 6: Amour me tue from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Take Me Home
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1355167 By Tom Wait…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1355167 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Contemporary,Film/TV. 7 pages. ROBERT J EGGERS #939832. Published by ROBERT J EGGERS (A0.1355167). From the 1982 Francis Ford Coppola film, One From the Heart, originally performed by Crystal Gayle, Take Me home consisted of a verse and chorus. This arrangement extends the song by starting with a verse set for a male voice, followed by a verse set for a female, whereupon both join over an active background to sing a duet for the final chorus and conclusion.Orchestration for the active ensemble is TTBB. The song touches on the universal theme of disappointing one's partner and asking for forgiveness. It's low-key, mellow, bittersweet and romantic.Suitable for all audiences.Duration 2:42.
$1.99
1.86 €
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Choral TTBB
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Tom Waits
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Take Me Home
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ROBERT J EGGERS
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.95 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Yesterday, When I Was Young (hier Encore)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Az…
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Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
5.59 €
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Piano solo
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Roy Clark
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
9.32 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
9.32 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Psalm 45:1
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294836 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294836 By Cheryl Prazak. By Lyric: Cheryl Prazak and Traditional English Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885162. Published by Cheryl Prazak (A0.1294836). “Cast your bread upon the waters” - Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.”Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, KentuckyPsalm 45:1I want to write sweet love poems with words that honor You.May leanings of each heartbeat be faithful and be true.I want to write love songs telling what You mean to me.And then ten thousand angels could sing my poems for Thee.You wake me from my slumber, your Spirit beckons me.You give me all the true words to stir my heart to Thee.And if I haven’t the voice to sing, let others sing for me.Just let me write the lovely poems with words that honor Thee.May poems that I offer You be precious in your sight.May your redemption’s story shine through each line I write.And if I haven’t the voice to sing, let others sing for me.Just let me write the lovely poems with words that honor Thee.God wants the world to know Him and songs may draw us near.Let me be one who writes words that send his message clear.The strains that stir my waiting soul, I dedicate to Thee.Just let me write the lovely poems with gifts You’ve given me.
$4.99
4.66 €
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Piano, Voice
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Cheryl Prazak
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Psalm 45:1
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Cheryl Prazak
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SheetMusicPlus
Gethsemane, Garden Lovely - sacred music for SATB choir
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1186940 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1186940 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 8 pages. Kevin G. Pace #786565. Published by Kevin G. Pace (A0.1186940). A stunning choral arrangement with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Gethsemane, garden lovely. Moonlight filters through o'erhanging trees,There revealing our blessed Savior, having fallen down upon His knees.Pleading May this cup, Father, from me pass. But Thy will be done at last.Golgotha’s Hill, cold and lonely, whispers still of sacrifice and love,Where the Savior gave up His life for us and for those who waited up above.Though He suffered sore, He forgave the more, and thus opened heaven's door.Hewn from the stone, tomb of sorrow, held the body of The Crucified.Now His mortal work was completed, and His love for all men satisfied.Though he died for men, yet He rose again, and repentance justified.Long, dusty road to Emmaus. Two disciples met the risen Lord.Sacred scriptures there He expounded, showing Jesus was indeed The Word.And His holy voice, led them to rejoice, from the promises restored.
$1.99
1.86 €
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Choral SATB
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Kevin G
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Gethsemane, Garden Lovely - sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
To One in Paradise - Vocal Duet
Vocal duet, Piano
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1…
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1308011 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. 21st Century,Baroque,Historic,Romantic Period,Singer/Songwriter. 4 pages. Richard deCosta #897288. Published by Richard deCosta (A0.1308011). Haunting electronica rendition of Poe's To One in ParadiseEmbark on a melodious journey through Edgar Allan Poe's To One in Paradise with this captivating vocal duet. The neo-Baroque intricacies entwined within the score escort the listeners back to a time of ornate expressions and profound emotions. The composition is laden with melodious arcs that ascend to euphoric peaks and descend into contemplative valleys, echoing the poignant essence of Poe's verses. The vocalists, enveloped in a tender dialogue, weave through the stanzas, their voices entwining with grace, and delving into the sorrow and hope inked in the poet's words. This piece is a heartfelt ode to the ethereal beauty of cherished memories and the melancholy of lost love. A timeless narrative that resonates through the ages, waiting to be unveiled by the emotive prowess of passionate performers.To One in ParadiseBy Edgar Allan PoeThou wast that all to me, love,For which my soul did pine—A green isle in the sea, love,A fountain and a shrine,All wreathed with fairy fruits and flowers,And all the flowers were mine.Ah, dream too bright to last!Ah, starry Hope! that didst ariseBut to be overcast!A voice from out the Future cries,“On! on!”—but o’er the Past(Dim gulf!) my spirit hovering liesMute, motionless, aghast!For, alas! alas! with meThe light of Life is o’er!No more—no more—no more—(Such language holds the solemn seaTo the sands upon the shore)Shall bloom the thunder-blasted tree,Or the stricken eagle soar!And all my days are trances,And all my nightly dreamsAre where thy grey eye glances,And where thy footstep gleams—In what ethereal dances,By what eternal streams.
$7.99
7.46 €
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Vocal duet, Piano
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Richard deCosta
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To One in Paradise - Vocal Duet
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Richard deCosta
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SheetMusicPlus
John Cage I-VI (2023) piano-vocal score
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.32 €
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Piano, Voice
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
John Cage I-VI (2023)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.32 €
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Piano, Voice
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
Apex Predator
Woodwind Ensemble Bass Clarinet,Bassoon - Level 4 - Digital Download SKU: A0.1022385
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Woodwind Ensemble Bass Clarinet,Bassoon - Level 4 - Digital Download SKU: A0.1022385 Composed by Martin J. Van Klompenberg. Classical. 28 pages. Martin J. Van Klompenberg #627493. Published by Martin J. Van Klompenberg (A0.1022385). Apex Predator began life as all pieces do: With a small child who loves dinosaurs.During a video chat with my nephew, Georgie, he very excitedly told me of theTitanboa, the largest snake that ever existed. Having never heard of this monstrousbeast, I took to the internet, and after falling into a wormhole, stumbled upon anarticle on apex predators.When one thinks of apex predators, the top link in the food chain, the usual thoughtgoes to lions, tigers and bears, however, depending on the biome, apex predatorscome in all sorts of species, sizes, speeds and colors. This disparity is what I hopedto explore. The Bengal Tiger, the well-known hunter, stalking and pouncing itsprey; the alligator snapping turtle, wading in its muddy home, waiting for a chanceto strike; the majestic orca, king of the oceans; the golden eagle, with its brilliantwingspan; and the Komodo dragon, the largest lizard on earth, with its poisonousbite and shockingly fast speed.Audio Example - https://soundcloud.com/martin-vanklompenberg/van-klompenberg-apex-predator.
$30.00
28 €
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Martin J
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Apex Predator
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Martin J. Van Klompenberg
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SheetMusicPlus
Apex Predator
Basson ensemble
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.1145699 Composed by …
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Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.1145699 Composed by Martin J. Van Klompenberg. Chamber,Classical. 28 pages. Martin J. Van Klompenberg #745925. Published by Martin J. Van Klompenberg (A0.1145699). Apex Predator began life as all pieces do: With a small child who loves dinosaurs. During a video chat with my nephew, Georgie, he very excitedly told me of the Titanboa, the largest snake that ever existed. Having never heard of this monstrous beast, I took to the internet, and after falling into a wormhole, stumbled upon an article on apex predators. When one thinks of apex predators, the top link in the food chain, the usual thought goes to lions, tigers and bears, however, depending on the biome, apex predators come in all sorts of species, sizes, speeds and colors. This disparity is what I hoped to explore. The Bengal Tiger, the well-known hunter, stalking and pouncing its prey; the alligator snapping turtle, wading in its muddy home, waiting for a chance to strike; the majestic orca, king of the oceans; the golden eagle, with its brilliant wingspan; and the Komodo dragon, the largest lizard on earth, with its poisonous bite and shockingly fast speed. This piece was originally published for bass clarinet and bassoon.Recording available on Soundcloud
$30.00
28 €
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Basson ensemble
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Martin J
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Apex Predator
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Martin J. Van Klompenberg
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SheetMusicPlus
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